Tuesday, February 2, 2021

Pride Comes Before the Fall

   

 Pride goes before destruction,

    a haughty spirit before a fall.

-- Proverbs 16:18


While I was listening to the Adam Carolla podcast the other night, Adam was telling the story of how his good buddy (and long-time radio show/podcast co-host) Dr. Drew had recently gotten a strike against his YouTube account for a video he made about COVID. This video apparently broke YouTube’s rules about “medical misinformation” and they had to promptly delete the video. Dr. Drew is now essentially under probation and if he posts any more videos that break YouTube’s “medical misinformation” rules, he will get two strikes on his account. After three strikes? Well, his entire YouTube channel will be terminated.

What, exactly, was this forbidden video about? Nothing incendiary: just a few doctors talking about COVID treatments. Not only is Dr. Drew a board-certified physician, but he also just had COVID and wanted to talk about what he learned from the virus. Apparently, at some point in the video, one of the doctors must have said something that is not quite in line with what the World Health Organization says and, according to YouTube, any medical information that goes against what the WHO says is deemed “medical misinformation”. So, if a doctor, for example, wanted to talk about, say, Vitamin D or Zinc or Vitamin C or Vitamin A as being beneficial supplements for a COVID prophylactic and/or therapy, that could be deemed medical misinformation. In other words, there is hardly any room for alternative discussion, alternative ideas, alternative prophylactics, alternative treatments, alternative anything. YouTube says that what the WHO says is gospel. And that’s the key word here: gospel, because YouTube is basically playing God. Let me explain what I mean by that:

Dr. Drew’s censored video is just one example of an ongoing trend today where Big Tech companies like YouTube, Facebook, Twitter and Google are all trying to control information, which is another way of saying they’re all trying to control what is and isn’t truth, which is, in turn, another way of saying they’re trying to play God.

Indeed, all these Big Tech companies are guilty of committing one of the deadliest of the seven deadly sins: that of Pride, or Hubris—whatever you’d like to call it. You’re guilty of pride when you’re trying to play God and it’s not an overstatement to say that this is exactly what is happening in the Big Tech world right now. Companies like YouTube, Twitter, Facebook, Google etc. are bursting at the seams with hubris.

Now, their excuse, of course, is that their efforts to control information, mainly through censorship, are well-intentioned. It’s being done in the name of squelching misinformation or hate speech or speech that may incite violence or that kind of thing. But it’s all bullshit. What we are seeing is fascism rearing its ugly head in America and what is fascism but Pride, pure and simple. It’s PRIDE.

But, yes, fascism has to be sneaky, especially since it wasn’t really that long ago since it last reared its ugly head in Germany. This time around, it has to disguise itself as being…well, a good thing; otherwise, everybody would be able to immediately see it for what it is. So, it talks a big game about trying to stop misinformation, hate speech, government insurrection, violence and what-have-you, or, in other words, it tries to convince people that it is an anti-fascist movement when, in fact, it is the exact opposite: fascist.

So that’s the deal. What we are witnessing today is a censorship movement that claims to be an attempt to weed out all the evil in the world but this movement is, in fact, the evil itself. That’s right: this is not exaggeration. It’s time we call this movement out for what it actually is and that is pure hubris, an arrogant display of the Sin of Pride and, thus, evil.

But never fear. One shouldn’t get too upset about all this, because, if history is any indication, Pride always comes before the Fall. We saw this with Icarus who flew too close to the sun and got his wings burnt. We saw this with Adam and Eve who ate from the tree of Forbidden Knowledge. We saw it with Oedipus, Dr. Faustus, Dr. Frankenstein, Napoleon, Hitler…heck, we saw it with Satan himself. There is no doubt in my mind that this egregious assault on free speech done under the guise of controlling dangerous “misinformation” will result in the fall of the Big Tech companies and also the fall of those politicians and so-called “journalists” and pundits and corporations and universities who are enabling or even outright cheerleading these companies. Twitter, Facebook, Google, YouTube…they’re bursting at the seams with hubris at the moment, but they are all going to fall soon enough. One way or another, their days of possessing so much concentrated power—near-monopolistic power—are numbered. As we have learned from history, such hubris has never been able to sustain itself for very long and this will be yet another example for the history books.


MATT BURNS is the author of THE BURNZO PAPERS: Selected Articles & Essays and also the novels JOHNNY CRUISE, THE WOMAN AND THE DRAGON and WEIRD MONSTER. In addition, he’s published a memoir called GARAGE MOVIE: MY ADVENTURES MAKING WEIRD FILMS. Check out these books (and many more) on his Amazon author page HERE.

Wednesday, January 27, 2021

The CLOAK of WOKE


Sometimes you have to take a step back and look at everything that has happened over the past year…you know, with a bird’s eye view. 

A year ago, we have a president (Trump) who is making America’s economy as strong as it has perhaps ever been, or at least stronger than it has been in a long while. At the same time, he’s being very tough on America’s number-one International competitor (China). He works out a trade deal where China ends up paying much more money in tariffs.

Not surprisingly, China is not happy about this. It’s a blow to their growing economy.

Right around the same time that Trump is making this trade deal, a virus (COVID) suddenly appears out of nowhere in China, the outbreak of which suspiciously occurs near a virology lab in Wuhan. This virus is spreading quickly and it’s only a matter of time before it spreads to the rest of the world, including America.

Meanwhile, Joe Biden has just secured his position as a frontrunner in the 2020 presidential democratic primaries. As soon as Super Tuesday ends in March and it looks like Joe Biden will be the democratic nominee, COVID arrives in America.

With the arrival of COVID, there are shutdowns, Trump’s prized economy takes a blow and everybody is miserable. Biden is being presented to us as the guy who will save us from Trump’s ineptitude in handling COVID and somebody who will return our lives to a state of normalcy. In fact, COVID becomes the main issue driving Biden’s presidential campaign. It’s what he’s running on.

As the year moves forward, it appears as though Joe Biden’s son, Hunter, has very suspicious business ties to China. It also appears that Joe may be mixed up in this business as well. The mainstream media and big-tech social media try to censor a New York Post story about a computer repairman stumbling upon a Hunter Biden laptop containing emails that help prove these ties are real. (It’s only after the presidential election on November 3rd that the media stops censoring this story and admits Hunter is under investigation by the FBI).

Meanwhile, COVID also provides an excuse to alter how the presidential election process will take place. Mail-in voting will become more the rule than the exception and other changes are made to supposedly make it “safer” for people to vote. Although it’s presented (mainly by the democrats) as something that is in our best democratic interests, this mail-in voting system makes it easier to “muddy the waters,” so to speak, and basically create a smoke screen so that voting fraud can more easily take place.

Not surprisingly, Biden ends up winning the presidential election on November 3rd.

So, let’s recap. A year ago, we have a President (Trump) who is clearly disliked by China. A suspiciously-timed virus comes out of China that makes Trump look like a bad president, helps Joe Biden have something to run on (i.e. he will save us from the virus and the incompetent Trump), and, at the same time, it appears as though Joe’s son and maybe even Joe himself have suspicious business ties with China. Then, the changes in the electoral process due to COVID end up favoring Joe Biden in the election…

In other words, it doesn’t take a conspiracy theorist here to arrive at the conclusion that China, COVID, and Joe Biden are all connected to one another.

Need further convincing? Let’s see what happens as soon as Joe Biden gets into the White House.

Every single policy of Biden’s is designed to hurt America, make it weaker and push it further away from its status as the world’s superpower. These anti-America-first policies, in turn, strengthen China, because whatever hurts America basically helps China and its goal of usurping America as the world superpower, numero uno, the big cheese.

Here are some examples of Biden’s anti-American policies:

 

-        Ending the construction of the Keystone pipeline. On the surface, it seems like this is all being done in the name of protecting the environment and addressing climate change, but what it really does is make America less energy independent and more dependent. In other words, it weakens America.

-        Rejoining the Paris Climate Accord. Again, this sounds good on the surface, something being done in the name of the environment and climate change. But what it really does is cripple America with environmental regulation while China doesn’t have to do a darn thing about its own dirty, polluting ways. So this move only hurts America’s economy but helps China’s.

-        Ending “harsh and extreme immigration enforcement” (quoted from Biden’s executive order) as well as stopping the construction of the border wall. Once again, this looks like a virtuous move and like we’re helping immigrants in need; however, this open-border policy where we are much more lax about who and what (i.e. drugs/diseases like COVID) is coming in and out of our country also makes America generally less secure as a nation, less stable and, in turn, weaker.

-        Ending the Muslim country travel ban. As much as we would all love to have peaceful Muslims able to travel in and out of our country with ease, one must admit the travel ban Trump instituted may have been necessary to tamp down on the ISIS problem. After all, we have not had an ISIS attack in our country for quite some time. Will ending the travel ban make us less secure? Yes, even though it’s politically incorrect to admit this.

-        Establishing a $15 minimum wage. Indeed, this looks good on the surface, but many small businesses cannot afford to pay these high wages, so their growth is stunted in a devastating manner. In other words, wages may go up but small business growth goes down. Maybe the transnational corporate world gets stronger as a result, but small business America in general gets weaker.

 

There are many more examples of these America-weakening policies, but those are just a few.

Now, how does Biden get away with all these policies that are so destructive to America? Well, in reading the examples above, you may have noticed a theme: he cloaks these policies with wokeness. Every policy comes wrapped in a package that looks good on the surface but is really not as benevolent as it appears to be. These policies are basically wolves in sheep’s clothing.

Additionally, Biden signs other overtly woke executive orders that directly address transgender rights, racial “equity” etc., all of which raise our new president’s appearance of wokeness to even greater heights. The end result is that the Biden administration establishes moral supremacy over us, which basically gives itself immunity from criticism. After all, how could you ever question a guy like Joe Biden when he appears to be so kind to immigrants, transgenders, blacks, Muslims etc.? A woke cloak gives you the moral high-ground and, thus, near-invincible power. That’s right: wokeness in politics today is less about being truly virtuous and more about the power it gives you. I repeat: It’s ALL ABOUT THE POWER.

So that’s the game-plan: establish yourself as super-virtuous and then nobody dares question your destructive, anti-American policies. Questioning you would simply make a person feel guilty and ashamed for not being woke enough.

In conclusion, it’s time to think about who Joe Biden is really working for. America and the American people? Or China? Because, so far, all signs point to him hurting America with almost every single policy, while helping China move closer and closer to superpower status. Biden gets away with this because he cloaks himself with woke, but it’s time for us to look beyond the sheep’s clothing. We need to stop being concerned with appearing virtuous and, instead, actually be virtuous in calling him and his administration out on their total, 100-percent, unadulterated, treasonous bullshit.

I will leave you with a relevant quote from the Bible:

27 “Woe to you, teachers of the law and Pharisees, you hypocrites! You are like whitewashed tombs, which look beautiful on the outside but on the inside are full of the bones of the dead and everything unclean. 28 In the same way, on the outside you appear to people as righteous but on the inside you are full of hypocrisy and wickedness.

-- Matthew 23:27-28 

 

MATT BURNS is the author of THE BURNZO PAPERS: Selected Articles & Essays and also the novels JOHNNY CRUISE, THE WOMAN AND THE DRAGON and WEIRD MONSTER. In addition, he’s published a memoir called GARAGE MOVIE: MY ADVENTURES MAKING WEIRD FILMS. Check out these books (and many more) on his Amazon author page HERE.

Thursday, January 14, 2021

Writing the Sequel


I owe it all to Back to the Future 2. One day in November 2020, shortly after Thanksgiving, I felt tired and lethargic, so I decided to fire up Netflix and see if there was anything good on it. I scrolled through all sorts of TV series and documentaries, Stranger Things, Cobra Kai etc., and then eventually came upon Back to the Future 2. For some reason, I felt drawn to this movie. I hadn’t seen it in a very long time and I felt it was time to give it another viewing. What I realized was that Back to the Future 2 was much more solid a film than I remembered it to be. It is not the best sequel ever made, but it is certainly one of the better ones. 

This got me thinking about sequels in general and how rare it is for them to be…well, good. I could only think of a few sequels that were better than or at least as good as their predecessor. Terminator 2 came to mind. Airplane 2 also popped into my head. But then I actually had to do some Googling to think of others. Yes, I literally Googled “best sequels of all time” and then I realized that most of the good sequels were part of a longer series, like Star Wars, Lord of the Rings, Indiana Jones, Harry Potter and that kind of thing. Do those count? I suppose they do. I’m not sure why they wouldn’t. However, my overall conclusion was that, jeez, it’s rare that a sequel is any good. Probably about one out of five sequels are decent. Four out of five are terrible.

With these statistics in mind, I began thinking, “Hmmm…I wonder how I would do writing a sequel.” And then I remembered, “Oh yeah…I already tried that!” And it didn’t go well.


Indeed, about a year ago, I had tried developing a sequel to a screenplay I wrote called Weird Monster (I also wrote a “screen novel” version of Weird Monster now available on Amazon). When I say I “developed” a sequel, I mean I wrote about a 60-page outline for that sequel. Now, you may be thinking, “Wow, a 60-page outline!” … yes, that seems like a long outline, but my outlines are extremely detailed and include all dialogue that comes to mind. I basically wrote 60 pages and then got to a point where I felt the story was no longer interesting to me, I was hitting too many roadblocks, eventually thought I was at a dead end, and I gave up. I shelved the project and concentrated on other things. As far as I was concerned, a sequel for Weird Monster seemed to be out of the question.

However, watching Back to the Future 2 rekindled my interest in writing a sequel. I basically said, “Ok, this sequel (meaning Back to the Future 2) is good, but it’s not exactly the BEST thing ever made. Maybe I can do something close to or at least as good as this. Maybe I should dare to fail, go forward with WEIRD MONSTER 2 and don’t stop this time, no matter what.”

And this is exactly what I did. I figured that even if WEIRD MONSTER 2 turned out to be a piece of garbage, it would still be an interesting writing exercise nevertheless. Thus, I took the 60-page WEIRD MONSTER 2 outline out of the drawer and read all 60 pages of what I had so far. What surprised me was that it was actually decent. Getting away from a project for a year is very helpful because you end up looking at it with a fresh eye and you can make a fair assessment of whether the material is decent or terrible. I mean, if you pick up a project after a year, give it a read and it ends up being terrible, then things are probably looking rather bleak for that project. If, however, it seems decent, well, then that means your project has potential.

I definitely saw that my project had potential.

Instead of working on the outline any further, I decided I would write, in screenplay format, what I had written out in my outline so far. Like I said, my outlines are very detailed, so I already had much of the dialogue written but getting everything into script form would help me iron out a lot of the wrinkles in the story and, more importantly, I would hopefully get to a point of no return in the project, meaning I would get to a point where the project was more complete than incomplete and I’d be a fool to give up and stop. In other words, this was a psychological tactic to motivate me; if I got a third or even a half of a screenplay onto paper, I would be much more likely to take it to the finish line.

Thus, I simply began writing the screenplay and things went well for about 50 pages or so. Page 50 is pretty much a point of no return, so I knew I wanted to finish this bad-boy no matter what. The problem was that I kept stumbling upon parts that I felt were either weak or lazy writing, made no sense, or simply wasn’t entertaining. I also found that the main characters were no longer very interesting to me, that maybe I had milked what made them interesting dry in the first story. I found myself hitting so many obstacles that I found it was paralyzing me and I had the urge to stop writing. I was berated by a voice in my head that said this sequel sucked. There was only meant to be one—not two—Weird Monster stories!

But then I took a shower.

I don’t know what it is about showers, but they often give birth to profound revelations. I once heard a theory that running water provides a conductor for energy from other dimensions to get beamed into your head, which is why people have so many good ideas and revelations while taking a shower. Maybe this is true, but that’s not really what’s of importance right now. What IS of importance is that I had a revelation. My revelation was that it’s basically better for me to write crap as opposed to writing nothing at all. I needed to free myself of the worry that I was writing garbage and I basically needed to write anything and everything that came into my head. Even if it was clichéd. Even if I knew it was terrible. Unfunny. Or trite. I simply had to keep going. I had to keep moving. I could not stop no matter what.

I consequently found myself making a ton of stuff up and I sort of felt guilty about this, because a lot of it felt so contrived, and I usually feel much better when the writing flows out naturally—you know, when it feels “meant to be”—but I didn’t allow myself to get too bothered by this. What was crucial was that I laid down the tracks, so to speak, got a very basic skeletal structure of my story down on paper. That’s really the toughest part. Getting the skeleton out of your system and down on paper. Then it’s much easier to go back and flesh everything out through editing, editing and more editing.

It took me about a month, but in the end, I actually managed to get a decent first draft of WEIRD MONSTER 2 (aka WEIRD MONSTERS) onto paper. And it wasn’t no flimsy 70-page screenplay either. The script is about 130 pages, give or take a couple of pages. I’m not sure it’s on the level of Back to the Future 2, at least not yet, but it’s definitely better than I ever thought it would be, especially considering how I felt when I first reached that page-50 area.

So what is the moral of the story?

Don’t ever give up. Writing garbage is better than not writing at all. And you can always go back and edit. This, of course, is true for writing anything, not just a sequel like what I was doing. Writer’s block can be paralyzing, but you’d be amazed what can happen if you simply free yourself of the paralyzing panic that sets in when you’re worried that you’re writing crap. Once you free yourself from this fear, you’ll be amazed what you can ultimately pull off.

Here is a helpful video I found on YouTube that echoes a lot of what I say above:

MATT BURNS is the author of numerous novels, including Weird Monster, Johnny Cruise and The Woman and the Dragon. He has also written a filmmaking/screenwriting memoir called Garage Movie: My Adventures Making Weird Films. Find these books (and many more) at his Amazon author page HERE.

Wednesday, November 25, 2020

Video Store Memories

My earliest memory of a video store must have been from 1985 or not long after this. Back then, my family didn’t own a VCR, but we could rent one from the local “Video Paradise” video store. The VCR, I remember, was small and, I think, came in a briefcase-like contraption. Along with the VCR, we rented Back to the Future and this, incidentally, was the movie that taught me my first cuss. There’s a scene where Biff says, “I’m gonna get that sonafabitch,” and “sonafabitch” became my very first cuss. At three or four years old, I went around my house saying, “I’m gonna get that sonafabitch,” or maybe I only did it once and was promptly reprimanded by my mother. All I know is “sonafabitch” was my first cuss word ever. Incidentally, the S-word was my second cuss word and I also learned that one from a video rental, this time Like Father, Like Son with Kirk Cameron and Dudley Moore. I have no recollection of when I learned the F-word. It was likely from a video rental, though. I do remember when I learned “bastard” and that was from Die Hard.

Later into the 80s, my family purchased our own VCR machine, which was nice, because having to rent one every weekend was a real drag. The VCR was Toshiba-brand, very large, with many complex buttons, most of which were rarely used, or at least it seemed like that at the time. During this period—the late 1980s—pretty much all we rented at the video store were ACTION movies. In fact, I had no idea that there were any other choices. We would basically walk into Video Paradise and proceed immediately to the ACTION section, which was in the back, just to the right of the New Releases. Video box art was key and I would pretty much rent anything that looked action-packed. If it had fire-ball-like explosions and/or a greasy, jacked up Arnold Schwarzenegger on the cover? Or Sylvester Stallone? It would be rented, no questions asked.

With one exception: Terminator.

Terminator was the one video we never, EVER rented. And this is because it was known as the only movie where Arnold Schwarzenegger was the “Bad guy”. And I guess, as a kid, I had no interest in watching a movie where Arnold was the bad guy. Only the good guy. So I treated Terminator kind of like how Pee-wee Herman treats the snakes when he’s saving all the animals from a pet store fire in Pee-wee’s Big Adventure. He keeps going back in to save animal after animal but sneers at the snakes each time. Finally, once there are no more animals left to save, he grabs the snakes and runs the hell out of there before the whole place burns down. To me, Terminator was the snake. I’d sneer at it every time I went into the ACTION section at the video store. But, eventually, I rented every single ACTION movie there was to rent and, soon, Terminator was all there was left, so I reluctantly rented it (and loved it).

By the way, you may be wondering…hmmm…I was five…six…seven years old…and able to watch rated-R ACTION movies? The answer to that question is YES, without a problem, actually. My parents had no issue with me watching Rambo, Commando, Cobra, Delta Force, Marked for Death, Predator, Running Man, Kickboxer, guns, explosions and everything violence. The only problem was when there was a sex scene, at which time I would have to close my eyes and my dad would fast-forward until the sex was over. So sex was a no-no, but violence? Well, the more, the merrier!

How did I turn out? Well, I can’t say I’m a model citizen, but I’m not violent, that’s for sure…at least…not yet muahahahahahahahahaha aaaaaaaaa-hahahahahahahahahahaha ooooooo-hoooooohoooooohooooooo eeeeeeeeeeeeeeeeee-heeeeeeeeeeeee-heeeeeeeeee-eeeeeeeeeeeee!

Sorry.

Out of all the ACTION movies I rented, Rambo First Blood Part 2 was probably both my favorite and the one I rented the most. In fact, I was damn-near obsessed with the movie, so much that I fantasized I was John Rambo on almost a daily basis. I got the Rambo action figures from Kay Bee Toys, the red bandana, even a plastic toy version of his bad-ass knife (which, if I remember correctly, I purchased at a Christmas Tree Shop down on Cape Cod). In the schoolyard, I made machine gun noises with my mouth, ran around and pretended I was doing Rambo missions. I preferred doing this over playing with other kids. Today, teachers probably would have thought I was “on the spectrum,” but autism wasn’t as big of a thing back in the 1980s, so I somehow got away with this, at least for a little while. I did eventually get a bad conduct grade on my 1st grade report card, for “not playing well with others.” This was mainly because I preferred playing in my imaginary world of Rambo.

Once the 1990s came around, I expanded my horizons and rented movies that weren’t ACTION. At this time, I rode my Giant “Attraction” mountain bike down to Video Paradise all during summer vacation and rented movies like Ransom, True Lies, Conair, Face Off, Bad Boys etc. I would then stay up late, watch these movies, and feel like I was accomplishing something with my life. By nature, I seem to have an obsessive-compulsive personality, so I got it into my head that I needed to watch pretty much every New Release that came out. I thought this would somehow make me a better or smarter person, kind of like how you think when you’re trying to beat a video game. You know, you convince yourself that beating Mario Bros. actually matters. What you realize in the end is that you haven’t really accomplished anything, nor have you improved yourself in any way. I probably would have been better off reading a book. But, alas, I digress.

Later into the 1990s, I made the switch from Video Paradise to Massive Video as my go-to video rental place. This was partly because Video Paradise went out of business (at this time, the evil franchise known as Blockbuster Video was killing off the mom and pop video stores left and right) but also because Massive Video had better deals. You could literally rent two non-new-releases for just a dollar. As for new releases, you could rent one for a few dollars and then get a non-new-release absolutely free. Bottom line: you could rent A LOT of videos from Massive for not a whole lot of money.

I had my driver’s license by this point in my life, so I hit up Massive all the time, especially during the summer when there was no school. I had also acquired a small 13” Sylvania television with the VCR built right into it and that became my own personal “home movie theater” for several years. I was particularly drawn to movies made by Miramax during this time because they were making all the unique indies. Movies like Trainspotting come to mind. Pulp Fiction as well. Say what you will about Harvey Weinstein, but he was responsible for many good movies in the mid-to-late 90s. Artisan was releasing a lot of great movies, too (like Blair Witch Project).

Massive Video also notoriously had the “adult video” closet that was commonplace in mom and pop video stores of that era. There was rarely anybody in this closet, but I do remember two occasions when there was a “john” (for lack of a better word) perusing the adult videos. On one occasion, there was a 50-year-old gentleman in the closet who eventually exited and then, upon checking out at the front desk, another customer (a woman) was walking into the store and she recognized him. It turns out he was the coach of her son’s soccer team! The poor guy was hoping to rent a couple adult vids with discretion and anonymity, but fate had other ideas. Boy how embarrassed he was!

On another occasion, my friends were in the store and I think we may have even been shooting the breeze with the video store clerk. I have no recollection of what we were talking about, but, whatever the subject matter was, we suddenly hear a noise and a guy comes out of the adult video closet, looking very rascally in the face. Then, he says to us, with incredible enthusiasm, “Yeah, that was in this month’s MAXIM!” The magazine, that is. So, whatever it was we were talking about, was apparently discussed or featured in the most recent issue of Maxim magazine. That guy would know, apparently.

By 2004, mom and pop video stores were a dying breed, as Blockbuster had officially monopolized the video rental market. Sadly, the mom and pops all began closing, one after the other. Before they closed, however, they had crazy liquidation sales. Like a bunch of jackals, my friends and I hit up many of these stores and walked away with dozens of videos that we acquired for pennies on the dollar. I personally walked away with a very eclectic collection of videos, including Todd Solondz’s From the Dollhouse, Charlie Chaplin’s Limelight, Bob Fosse’s All that Jazz, the hilarious Airplane 2, an indie film called Chuck and Buck (one of the most uncomfortable movies of all time), Teenage Mutant Ninja Turtles (the first and best 1990 version) and even the French Film The Discrete Charm of the Bourgeoisie.

 


A photo I took of Massive Video, right before it closed forever.


Only a few years after Blockbuster became king, Netflix rose to power. This not only marked the end of Blockbuster but it also marked the end of the video store era in general. A few video stores do exist here and there, mostly as ironic establishments in hipster neighborhoods, but for the most part, video stores are extinct and it’s unlikely that they will ever experience a revival. Streaming is probably here to stay for the unforeseeable future and it’s hard to imagine anything better unless mankind experiences some sort of apocalyptic disruption to the power grid, like a solar storm, where we lose Internet capabilities and are forced to go analog again. But, wait, if the power grid were to fry out on us, we wouldn’t even have the power to run the analog devices, right? Unless we used gasoline-powered generators. Yes, that would be the only way. Hmmm…

Anyway, yes, the video store era is likely a bygone era. But, before it gets forgotten forever, I wanted to memorialize it somehow. My novel WEIRD MONSTER, originally written as a screenplay back in 2007 and later turned into a novel (or what-I-call a “screen novel”) ten years later, is my attempt to memorialize it. The book is, among other things, a long love letter to the video store era, the VHS era, and the VCR era. It captures everything from the smell of video stores (plastic cases and, occasionally, stale popcorn) to the excitement of a new release coming out (after waiting forever for it to come out on video), to the magnetic-tape-sensing-security-gate-thingy that welcomed you when you entered the video store (or whatever the name of that thing was), to the movies playing on multiple TVs throughout the store…the buzzing fluorescent lights on the ceiling…the puke-colored, bubble-gum-stained carpeting…the clamshell video cases...and, yes, even the adult video closets.

Video stores were like a little fantasy land you could escape to at the end of your rough week of reality. They were warm in the winters. Cool in the summers. An all-around fun time. They will be so very missed.

WEIRD MONSTER is now available to read on Amazon. Find this book (and many others) at Matt Burns’ Amazon author page HERE.

Saturday, November 14, 2020

Parallels Between Lyme Disease and the Washington 'Swamp'


What often happens with Lyme disease is that you don’t know you’ve actually had it for a long time, sometimes for many years or even for your whole life. It’s stealthy and likes to keep a low-profile. If you’re lucky, you finally get a diagnosis, and you start taking a medication, antibiotic or herb, to fight it. This disturbs the disease, stirs it up, makes its otherwise stealthy presence very well-known, and also makes it VERY angry. In retaliation, the disease releases powerful neurotoxins into your body, to make you feel even sicker and to deter you from fighting it any further.

Something similar has been happening in America’s recent political culture. For a long time, there was the Washington “swamp”, a diseased power structure made up of political insiders and career politicians who ruled us through division, identity politics and victimhood. They profited off of wars, favored multinational corporations and big banks over people, played the role of puppets for big pharma and Wall Street, did the bidding of lobbyists and wealthy campaign donors etc. But then an unlikely (and undoubtedly flawed) outsider named Donald Trump – the “great disruptor” – came along and challenged this power structure. Whether you liked his personality or not, he was the antibiotic that attempted to begin eradicating the so-called “swamp creatures”, once and for all. Just like with Lyme disease, this antibiotic disturbed and stirred up the creatures, they didn’t like what was happening—not at all—and fought back…hard, released toxins into our culture (largely via the corporate-owned mainstream media) and made America very toxic for about four years (the last of which, the year 2020, was the most toxic of all). People blamed Trump for this toxic culture when, in fact, the toxins were mainly a direct result of Trump trying to cure us of the swamp. The toxicity was, in effect, the swamp’s defense mechanism, a way to deter Trump and likeminded people to stop fighting it.

If Joe Biden, a man who’s basically been swimming in the swamp that is Washington for almost 50 years, does indeed become 46th president of the United States, this “defense mechanism” will have ultimately worked, because Biden’s presidency will put an end to the fighting of America’s swamp disease. Biden claiming that he will *restore* peace, unity, decency and normalcy in America is his way of saying he will *restore* the old political power structure, a place where the swamp creatures rule unchallenged yet again. They’ll stop releasing many of their toxins into our culture, things will appear to settle down and there will be the illusion of peace…

But, alas, we’ll still be just as diseased as we always were.



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MATT BURNS is the author of THE BURNZO PAPERS: Selected Articles & Essays and also the novels JOHNNY CRUISE, THE WOMAN AND THE DRAGON and WEIRD MONSTER. In addition, he’s published a memoir called GARAGE MOVIE: MY ADVENTURES MAKING WEIRD FILMS. Check out these books (and many more) on his Amazon author page HERE.